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<channel>
	<title>Liene Kazaka Design</title>
	<link>https://lienekazaka.com</link>
	<description>Liene Kazaka Design</description>
	<pubDate>Fri, 17 Apr 2026 18:00:38 +0000</pubDate>
	<generator>https://lienekazaka.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Home</title>
				
		<link>https://lienekazaka.com/Home</link>

		<pubDate>Sat, 18 Oct 2025 16:42:02 +0000</pubDate>

		<dc:creator>Liene Kazaka Design</dc:creator>

		<guid isPermaLink="true">https://lienekazaka.com/Home</guid>

		<description></description>
		
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	<item>
		<title>The Hemp Story, 2025</title>
				
		<link>https://lienekazaka.com/The-Hemp-Story-2025</link>

		<pubDate>Fri, 17 Apr 2026 18:00:38 +0000</pubDate>

		<dc:creator>Liene Kazaka Design</dc:creator>

		<guid isPermaLink="true">https://lienekazaka.com/The-Hemp-Story-2025</guid>

		<description>
	
 
	The Hemp Story
Writing, video
2025

	
    
    






































An immersive journey telling the story of one of nature’s most remarkable fibres—hemp. From the fields where it is grown, through the factories where raw fibres are processed and transformed into fabric, to the final stage of garment making, the story follows each step. Experiencing the process up close reveals an extraordinary blend of skill, heritage, and practical innovation at every stage.




	


&#60;img width="2984" height="1194" width_o="2984" height_o="1194" data-src="https://freight.cargo.site/t/original/i/ad8a5d8e88c9b678166aee01a95aa7d26ad0830340ab07a24937d552ba79c082/Screenshot-2026-04-17-at-19.24.19.png" data-mid="247344775" border="0"  src="https://freight.cargo.site/w/1000/i/ad8a5d8e88c9b678166aee01a95aa7d26ad0830340ab07a24937d552ba79c082/Screenshot-2026-04-17-at-19.24.19.png" /&#62;&#60;img width="2986" height="1194" width_o="2986" height_o="1194" data-src="https://freight.cargo.site/t/original/i/4ad910c7e223420d20ae02db73a0b3cf3e85e0969cabfe2e686dfc18202cb4af/Screenshot-2026-04-17-at-19.24.00.png" data-mid="247344777" border="0"  src="https://freight.cargo.site/w/1000/i/4ad910c7e223420d20ae02db73a0b3cf3e85e0969cabfe2e686dfc18202cb4af/Screenshot-2026-04-17-at-19.24.00.png" /&#62;&#60;img width="2984" height="1280" width_o="2984" height_o="1280" data-src="https://freight.cargo.site/t/original/i/25da8c316fdb2b30e8acd79f7e45f6a310046822b07c5076a35cfc87196e84dc/Screenshot-2026-04-17-at-19.23.31.png" data-mid="247344782" border="0"  src="https://freight.cargo.site/w/1000/i/25da8c316fdb2b30e8acd79f7e45f6a310046822b07c5076a35cfc87196e84dc/Screenshot-2026-04-17-at-19.23.31.png" /&#62;


	






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	<item>
		<title>Dear friend, 2025</title>
				
		<link>https://lienekazaka.com/Dear-friend-2025</link>

		<pubDate>Wed, 08 Oct 2025 14:36:00 +0000</pubDate>

		<dc:creator>Liene Kazaka Design</dc:creator>

		<guid isPermaLink="true">https://lienekazaka.com/Dear-friend-2025</guid>

		<description>
	Dear friend,
Writing
2025

	





































A series of imaginary letters written from places steeped in rich textile traditions, each one woven with inspiration, texture, and feeling.



























	Dear friend,


I’m in Paris again, there’s something about
this city that keeps calling me back. It’s a place that feels both impossibly
romantic and effortlessly rebellious, perhaps that’s why I always end up
wandering its streets in a frilly lace-trimmed bohemian dress but grounded with
a masculine jacket and unapologetically chunky boots.


The moment I step onto its narrow, winding
streets, I can’t help but think of the artists and dreamers who once wandered
these same cobblestones. What was it like to live here during the dazzling Art
Deco era of the 1920s? Were the nights at Café de Flore really as wild and epic
as they say?



	
	
In Paris, memory lingers, it’s as if the
city itself is a little nostalgic. It doesn’t take much to slip into another
time. An afternoon spent wandering the extravagant flea markets of Clignancourt
feels like time travel: vintage vinyls, delicate handmade lace, ornate
pendants, and forgotten antiques, each whispering its own story.


I’ll be sure to bring back a few
treasures, Paris and its style, after all, are nothing if not timeless.


With Love,
 PARIS







	
&#60;img width="3619" height="4524" width_o="3619" height_o="4524" data-src="https://freight.cargo.site/t/original/i/56000c8e29719c04935ea983a4880afdc7d29e6a9121ea0dbcc495384e94cb3f/pexels-maxavans-5101511.jpg" data-mid="239155684" border="0"  src="https://freight.cargo.site/w/1000/i/56000c8e29719c04935ea983a4880afdc7d29e6a9121ea0dbcc495384e94cb3f/pexels-maxavans-5101511.jpg" /&#62;









	

&#60;img width="4672" height="7008" width_o="4672" height_o="7008" data-src="https://freight.cargo.site/t/original/i/52aa798330a75222770220b6c35f6b63b9a55a3a7a931db73d463ed78b4ce325/pexels-ekrulila-32416024.jpg" data-mid="239155793" border="0"  src="https://freight.cargo.site/w/1000/i/52aa798330a75222770220b6c35f6b63b9a55a3a7a931db73d463ed78b4ce325/pexels-ekrulila-32416024.jpg" /&#62;

	
Dear friend, 



I’m writing to you from a quiet spot not
far from Tokyo, nestled by a lakeside where the view of Mount Fuji is at its
most breathtaking.



After a few intense days in Tokyo’s
bustling metropolis, I’m grateful to trade in my city clothes for a traditional
sashiko quilted jacket and thick, comforting knits.



Winter has cast a soft grey veil over
everything, lending a peaceful stillness to the landscape. The world around me
is tinged in blue-grey hues, reminiscent of traditional Japanese indigo
textiles, where shades flow gently into one another.



No matter how much you anticipate seeing
Mount Fuji, the sight still manages to take you by surprise. Perhaps it’s
because your gaze is first pulled downward, to the vibrant streets lined with
shops asking for attention, tangled overhead with a maze of electric wires
stretching toward the sky. But then, you look up. And through the mist, there
it is, the mountain, rising in quiet majesty above the noise. A serene giant,
watching over it all.



With love,
 MOUNT FUJI

	




















Dear friend,



I’m up in the mountains, where the land is
barren, but the views are nothing short of spectacular. I've spent the past few
days hiking through Ladakh, taking in the rich history and culture that pulse
through this rugged landscape.



In a place where nature is so
harsh, I never expected to find such vibrant beauty. Each day brings dramatic
sunrises and sunsets, with the sky shifting rapidly from deep blues to purples
and fiery oranges. But even more striking than the sky are the bursts of colour
found in the people and their clothing.



Everywhere I go, I see prayer
flags fluttering at hill stations and resting points, their vivid colours
dancing in the wind. The traditional clothing here is equally mesmerizing, worn
proudly by women in garments woven with intricate patterns, tie-dye techniques,
appliqué, and patchwork. These textiles are bold, richly detailed, and
stunningly vibrant against the muted mountain backdrop.



Here, clothing is more than just
fabric, it tells stories of kinship, spiritual beliefs, trade routes, and
evolving trends. Made from local wool, yak fibers, and materials exchanged
across borders, these garments are as practical as they are beautiful. They
stand as a powerful reminder of the craftsmanship and creative expression that
fashion can hold.



With love,
 LADAKH


	


&#60;img width="5361" height="8041" width_o="5361" height_o="8041" data-src="https://freight.cargo.site/t/original/i/998987aa7c29ec924c2e124c371f1e5d6410a03b068054a8e10fdd1ddf2a3a7e/pexels-julia-volk-5204522.jpg" data-mid="239157191" border="0"  src="https://freight.cargo.site/w/1000/i/998987aa7c29ec924c2e124c371f1e5d6410a03b068054a8e10fdd1ddf2a3a7e/pexels-julia-volk-5204522.jpg" /&#62;



	



















&#60;img width="3456" height="4608" width_o="3456" height_o="4608" data-src="https://freight.cargo.site/t/original/i/e1d67331bd2a905496d5493bc02c19ed42a7866d0e07af4e12d7bcb48af16b58/pexels-alice-davies-1821684696-28379513.jpg" data-mid="239157105" border="0"  src="https://freight.cargo.site/w/1000/i/e1d67331bd2a905496d5493bc02c19ed42a7866d0e07af4e12d7bcb48af16b58/pexels-alice-davies-1821684696-28379513.jpg" /&#62;



	Dear friend,


I’m spending the weekend immersed in
nature’s own version of luxury.


After traveling overnight from London to
the Scottish Highlands on a sleeper train, I’ve finally arrived in the land of
lochs, munros, ruined castles, and storybook cottages. Armed with an abundance
of woollen jumpers, thick socks, and a few of Scotland’s nature-inspired
plaids, I’m ready to embrace the wilderness.


What I’m discovering is that a quiet
revolution is taking place here at grand estates. Wilding is about stepping
back and allowing nature to lead, letting natural processes shape the land and
sea, mend damaged ecosystems, and restore weary landscapes. Through wilding,
nature reclaims its rhythm, creating wilder, richer, more biodiverse habitats.
It’s about reviving the remarkable web of life, habitats, processes, and, where
needed, even the species that once called this land home.


And I have a feeling that after a few days
of hiking, camping, and wild swimming, I too might become one of the species
returning to the land. What a rare and beautiful kind of luxury.


With love,HIGHLANDS



</description>
		
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	<item>
		<title>On remediation and interfacing: Mycelium, 2025</title>
				
		<link>https://lienekazaka.com/On-remediation-and-interfacing-Mycelium-2025</link>

		<pubDate>Sun, 26 Oct 2025 23:24:26 +0000</pubDate>

		<dc:creator>Liene Kazaka Design</dc:creator>

		<guid isPermaLink="true">https://lienekazaka.com/On-remediation-and-interfacing-Mycelium-2025</guid>

		<description>
	On remediation and interfacing: MyceliumTalk &#38;amp; workshopLiving Library, HfG Karlsruhe, DECollaboration with Nina Flaitz

	






































A two day workshop exploring mycelium as both a biological network and a material collaborator through field research, discussion, and hands-on experimentation. On the first day, participants visited a mushroom herbarium and joined a colloquium on bio art and sustainability. On the second day, they worked with living mycelium to create living artworks, simultaneously exploring fungi’s potential to both create and decompose materials.





	
	
	

&#60;img width="5073" height="7606" width_o="5073" height_o="7606" data-src="https://freight.cargo.site/t/original/i/71c36b3d5c6e684d2f35653ba4c18189380d1044788b5a91c961cec2fb10b04f/Mycelium_Fieldtrip_Photos-Bio-Design-Lab-and-Living-Library_029.jpg" data-mid="239891386" border="0"  src="https://freight.cargo.site/w/1000/i/71c36b3d5c6e684d2f35653ba4c18189380d1044788b5a91c961cec2fb10b04f/Mycelium_Fieldtrip_Photos-Bio-Design-Lab-and-Living-Library_029.jpg" /&#62;
&#60;img width="5195" height="7789" width_o="5195" height_o="7789" data-src="https://freight.cargo.site/t/original/i/2360e553d9ee90e0e90f4dfba5e70bf3d6c258d97586c312f55a804910660458/Mycelium_Fieldtrip_Photos-Bio-Design-Lab-and-Living-Library_004.jpg" data-mid="239891385" border="0"  src="https://freight.cargo.site/w/1000/i/2360e553d9ee90e0e90f4dfba5e70bf3d6c258d97586c312f55a804910660458/Mycelium_Fieldtrip_Photos-Bio-Design-Lab-and-Living-Library_004.jpg" /&#62;
&#60;img width="3523" height="6263" width_o="3523" height_o="6263" data-src="https://freight.cargo.site/t/original/i/b0c8f23bf795be4237bb6c6934603220ca7777f727a67c7cb17416a43508a511/Mycelium_Fieldtrip_Photos-Bio-Design-Lab-and-Living-Library_033.jpeg" data-mid="239891387" border="0"  src="https://freight.cargo.site/w/1000/i/b0c8f23bf795be4237bb6c6934603220ca7777f727a67c7cb17416a43508a511/Mycelium_Fieldtrip_Photos-Bio-Design-Lab-and-Living-Library_033.jpeg" /&#62;
&#60;img width="5325" height="7984" width_o="5325" height_o="7984" data-src="https://freight.cargo.site/t/original/i/62e620aba62e66c7f01dad4150cb79c7669323ecf3c345053a0ca76e8eb8b397/Mycelium_Workshop_Photos-Bio-Design-Lab-and-Living-Library_003.jpg" data-mid="239891388" border="0"  src="https://freight.cargo.site/w/1000/i/62e620aba62e66c7f01dad4150cb79c7669323ecf3c345053a0ca76e8eb8b397/Mycelium_Workshop_Photos-Bio-Design-Lab-and-Living-Library_003.jpg" /&#62;
&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/36561c36e423ec8c4840b068341309a930aae7c21e0645c78ca7e581d47430f8/Mycelium_Samples_Photos-Bio-Design-Lab-and-Living-Library_005.jpg" data-mid="239891687" border="0"  src="https://freight.cargo.site/w/1000/i/36561c36e423ec8c4840b068341309a930aae7c21e0645c78ca7e581d47430f8/Mycelium_Samples_Photos-Bio-Design-Lab-and-Living-Library_005.jpg" /&#62;
&#60;img width="3648" height="5472" width_o="3648" height_o="5472" data-src="https://freight.cargo.site/t/original/i/3cecd1172062c4d29ae94b665b6cb0c0564e891fc9b7d8773c25481f610b0458/Mycelium_Samples_Photos-Bio-Design-Lab-and-Living-Library_013.jpg" data-mid="239891641" border="0"  src="https://freight.cargo.site/w/1000/i/3cecd1172062c4d29ae94b665b6cb0c0564e891fc9b7d8773c25481f610b0458/Mycelium_Samples_Photos-Bio-Design-Lab-and-Living-Library_013.jpg" /&#62;
&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/6c0c880b46c5ced1b7262e832f839528f76ce5a5e340a20116091391ac4bdeec/Mycelium_Samples_Photos-Bio-Design-Lab-and-Living-Library_002.jpg" data-mid="239891696" border="0"  src="https://freight.cargo.site/w/1000/i/6c0c880b46c5ced1b7262e832f839528f76ce5a5e340a20116091391ac4bdeec/Mycelium_Samples_Photos-Bio-Design-Lab-and-Living-Library_002.jpg" /&#62;



</description>
		
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	<item>
		<title>Textile Journal, 2021-2025</title>
				
		<link>https://lienekazaka.com/Textile-Journal-2021-2025</link>

		<pubDate>Sun, 26 Oct 2025 21:53:20 +0000</pubDate>

		<dc:creator>Liene Kazaka Design</dc:creator>

		<guid isPermaLink="true">https://lienekazaka.com/Textile-Journal-2021-2025</guid>

		<description>
	Textile JournalWritten for Poetry fashion brand
	Monthly journal articles written for Poetry fashion brand, exploring stories of natural materials, from fibres to fabrics, including their history, manufacturing, and sustainability.


Click below to read the stories
&#60;img width="1157" height="243" width_o="1157" height_o="243" data-src="https://freight.cargo.site/t/original/i/350b2aa2e4c3fbd4d974426a39c65743bbe8c986fafc84cadd80dfa3583f1949/Poetry-logo.jpg" data-mid="239890064" border="0"  src="https://freight.cargo.site/w/1000/i/350b2aa2e4c3fbd4d974426a39c65743bbe8c986fafc84cadd80dfa3583f1949/Poetry-logo.jpg" /&#62;</description>
		
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	<item>
		<title>Myco Colour, 2021-2024</title>
				
		<link>https://lienekazaka.com/Myco-Colour-2021-2024</link>

		<pubDate>Fri, 25 Jun 2021 11:02:49 +0000</pubDate>

		<dc:creator>Liene Kazaka Design</dc:creator>

		<guid isPermaLink="true">https://lienekazaka.com/Myco-Colour-2021-2024</guid>

		<description>
	Myco ColourMA Material Futures,
Final year project,
Central Saint Martins
2021
Special thanks to Stephanie Stange from Technische Universität Dresden for helping to understand the organism.



	





































Myco Colour is sustainable
textile dyeing process of growing pigment producing fungi directly on materials.






Green elf cup fungi can release a turquoise pigment into the object it is
growing on- a property that holds a promise to completely eliminate the use of
all chemicals in the textile dyeing process. Blue-green pigment produced by the mushroom has shown
equal colourfastness measurements to commercial dyes allowing to imagine future
where fabric is coloured solely by living organisms.



















This method has the potential to revolutionise not only industrial
material finishing methods but also the cultural perception of colour, and
could renew our connection with and appreciation of nature.






&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/0ff5566eca668d1aaca07abfd11e3a3e1b1f4cbefb81ba4b45fa26fccdd36bfb/0J8A4061a.jpg" data-mid="115102924" border="0"  src="https://freight.cargo.site/w/1000/i/0ff5566eca668d1aaca07abfd11e3a3e1b1f4cbefb81ba4b45fa26fccdd36bfb/0J8A4061a.jpg" /&#62;

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It is no secret that the textile industry is among one of the most polluting industries in the world. Furthermore, textile finishing methods – including colouring – are estimated to be responsible for one fifth of industrial water pollution. It is the harsh chemicals, the heavy metals, the large amounts of water that need to be used and the unregulated wastewater disposal that is creating this problem.

But what if there is a way to achieve colour by nurturing nature instead of destroying it?
The project started with a brightly coloured blue-green piece of wood found on a forest floor. The bit of wood had been coloured by a mushroom called Blue elf cup that is surprisingly common in UK forests and its use in woodwork goes back for centuries. 

	

This fungus can release a turquoise pigment into the object it is growing on- a property that holds a promise to completely eliminate the use of all chemicals in the textile dyeing process. When growing colouring fungi directly on materials, only two components are needed: simple nutrients as a food source and fungi. Blue-green pigment produced by the mushroom has shown equal colour fastness measurements to commercial dyes allowing us to imagine a future where fabric is coloured solely by living organisms. 
Future textile printing will rely on growing multiple organisms/colours and applying them on materials in life-friendly conditions. This will enable designers to create half-controlled designs, where the human selects the starting point of growth and food source, but the mushroom creates the rest of the pattern&#38;nbsp;








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</description>
		
	</item>
		
		
	<item>
		<title>Fungi Form, 2024</title>
				
		<link>https://lienekazaka.com/Fungi-Form-2024</link>

		<pubDate>Sun, 26 Oct 2025 22:14:50 +0000</pubDate>

		<dc:creator>Liene Kazaka Design</dc:creator>

		<guid isPermaLink="true">https://lienekazaka.com/Fungi-Form-2024</guid>

		<description>
	Fungi FormLecture &#38;amp; workshop
University of Greenwich, UK

Collabiration with&#38;nbsp;Carolina Perez

	





































A one day talk and workshop introducing architecture and design students to the concepts of biodesign and collaboration with living systems. Participants explore biodesign theory, recent developments, and current discourse before engaging in a hands-on biofabrication session using mycelium composites and repurposed plastic waste.





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	<item>
		<title>Natural chaos, 2022 </title>
				
		<link>https://lienekazaka.com/Natural-chaos-2022</link>

		<pubDate>Sat, 29 Jul 2023 10:56:13 +0000</pubDate>

		<dc:creator>Liene Kazaka Design</dc:creator>

		<guid isPermaLink="true">https://lienekazaka.com/Natural-chaos-2022</guid>

		<description>
	Natural Chaos
VideoCollaboration with Kristaps Kazaks

2023



	





































A collaboration project with AI motion graphics designer Kristaps Kazaks to explore the possibilities of the cutting-edge AI text-to-image generation technology and what it could tell us about nature. By taking inspiration from one of the longest scientific experiments in history which shows that chaos and unpredictability are essential parts of nature, the project uses AI to visualise and predict it.What would it mean to accept both nature and AI as unpredictable entities? Would one eventually help to predict the other?





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In the spring of 1989 a sample of water from the Baltic sea was put into an outdoor experimental system. All of its natural microbial life and its processes were observed and sampled twice a week, for 2319 days, until the autumn of 1995. 
The natural interactions between the micro-organisms generated chaos - the ecosystem surprisingly never reached a stable state with long-term predictable food chains. The predictability for this experiment turned out to be a small time horizon of 15–30 days, only slightly longer than the local weather forecast.
This shows that stability is not required for the existence of complex food webs and suggests that the long-term prediction of future for any species can be fundamentally impossible and that nature is governed by more chaos than we think.

This project uses cutting-edge AI text-to-image generation to create animations based on familiar verbal concepts. Similar to the 1989 experiment, the AI is given text input of natural phenomena and asked to generate a moving image from it. The resulting animations are full of unpredictability and chaos that strangely resemble the one observed in nature.

What would it mean to accept both nature and AI as unpredictable entities? Would one eventually help to predict the other?


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</description>
		
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	<item>
		<title>The Story of a Blue Mushroom, 2022</title>
				
		<link>https://lienekazaka.com/The-Story-of-a-Blue-Mushroom-2022</link>

		<pubDate>Sun, 26 Oct 2025 20:45:43 +0000</pubDate>

		<dc:creator>Liene Kazaka Design</dc:creator>

		<guid isPermaLink="true">https://lienekazaka.com/The-Story-of-a-Blue-Mushroom-2022</guid>

		<description>
	The Story of a Blue MushroomWritten for Tatter Issue 3 : Blue

	A commissioned essay for Tatter Journal, tracing my research journey with a blue mushroom. From inherited family traditions and unexpected discovery to scientific investigation and today’s unfolding colour crisis.


Click below to read the story
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	<item>
		<title>Future Materials Encounter: Blue Elf Cup, 2022</title>
				
		<link>https://lienekazaka.com/Future-Materials-Encounter-Blue-Elf-Cup-2022</link>

		<pubDate>Sun, 26 Oct 2025 23:08:56 +0000</pubDate>

		<dc:creator>Liene Kazaka Design</dc:creator>

		<guid isPermaLink="true">https://lienekazaka.com/Future-Materials-Encounter-Blue-Elf-Cup-2022</guid>

		<description>
	Future Materials Encounter: Blue Elf CupTalk &#38;amp; workshopFuture Materials Bank, Jan van Eyck AcademyMaastricht, NL
In conversation with Heleen Sintobin

	






































Designer and researcher Liene Kazaka shared her experience with the Myco Colour project, telling how she became friends with a blue mushroom and why this type of interaction is important for creating more sustainable artistic practices. Participants learnt some home lab hacks by preparing their own micro-universe in a petri dish, which they took home to further observe the growth of mushroom mycelium and the other microorganisms present.





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To see full talk &#38;amp; workshop click here


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